I hardly ever listen to an album from The Rapture from start to finish. Some bands you only need a couple of songs from them and that’s it. Well The Rapture are one of these bands, I should give them more of a listen really but I have a feeling that they won’t sound any better that their song Out of the Races and Onto the Tracks.
There’s a line that’s repeated in this song that goes ‘Punishment in higher places’ I’ve just looked up the lyrics for this as I could never make out any of the words.
I used to think the words were something like ‘Paul loves shrimp in funny places.’
Following a handful of self released ep’s, the Stockholm based quintet Let’s Say We Did released their self titled debut album at the back end of last year.
On their ep’s the band were finding their feet somewhat but on the album it shows that the hours spent perfecting their melodic scuzzed up indie pop has paid off.
This album has the potential to be a word of mouth grower this year. And if not then I’m sure the next album will.
Follow link to Box.com to download Let’s Say We Did - Straight Back To You
A mate of mine used to drive around in his van with a collection of three tapes that he used to play over and over. One was a collection of Minutemen and Firehose songs, one a collection of old country and bluegrass classics and the other a bootleg of a live Replacements show from the mid 80s that he said he was at (he’s a good few years older than me and used to live in Minneapolis). The Replacements had a reputation for their drunken ram shackled live shows, and the performance on the tape was no different. Though the sheer energy of the band still burst through the primitive speaker system.
That was my first introduction to The Replacements and it was enough for me to here some more from them. Glad I did.
Here’s the original more stripped back version of Can’t Hardly Wait that came out on the Tim reissue.
The Cowboy Junkies have recorded many covers throughout their career, and they interoperate the songs as good as any band out there. Whether its a Neil Young, Bruce Springsteen ,Flying Burrito Brothers or an old blues or traditional song they always take it and mould it to their own laid back Americana sound with ease.
The first song that I heard from the Cowboy Junkies was a slowed down cover of The Velvet Underground’s Sweet Jane. Its from the album The Trinity Sessions but I heard it on some compilation of songs from films that Quinton Tarantino has been involved in (it appeared in Natural Born Killers, Tarantino wrote the screen play).
There’s also a great live version that I got from some other compilation that’s more up tempo and has a long intro with a piano solo and guitar feedback. I must try to find that CD the next time I go back to my folks, I thinks its in the garage somewhere.
There was a period in the nineties when bands from the United Kingdom would often sing “Na na na na” or “La la la la" instead of a verse with proper words. Maybe they couldn’t think of anything else to write. Maybe they intentional used it for that sing along poppy indie effect so it would help them get a slot on TFI Friday, get play listed on Radio 1, sell a few records and then blow all their money doing cocaine in Camden pubs.
I’m thinking of crap Brit-Pop bands like Shed Seven and The Bluetones, na na na na, fuck off.
The Welsh band Super Furry Animals are a band that sometimes did a few la la la’s, like on their song The International Language of Screaming. But they can get away with it because there's a lot more interesting stuff that’s going on in their music. And its one of the best song titles I know.
The other day I was listening to an NPR podcast that had some bloke talking about a new book he’s wrote about The Doors. Do we really need another book, magazine article or film about Jim Morison and The Doors?
Of course not, but anyway, the guy was saying how their music was made in a time of (and therefore reflected) political uncertainty and fear. Such as Vietnam protests, assassinations, cult murders…
Yeah like there has never been any history or dramatic events before the late sixties or after.
Its easy to give bands and rock stars more gravitas than necessary. Like Dylan-olagists that believe the worlds answers are hidden in his lyrics.
Though the bloke on NPR was correct in saying that The Doors made some great songs and also some bad ones. Their strongest album for me is defiantly their last one L.A. Woman that all good songs.
