The single song download has killed the CD single. The only reason that I used to buy singles was for the B-sides. Bands would usually chuck their left over’s from the recording sessions on a B-side but sometimes some interesting stuff would be on it too. Like a reworked or stripped down version of a song, or an interesting remix.
Such as the B-side to I Think I’m In Love by Spiritualized that has a remix by the Chemical Brothers. They give it their full treatment to great affect. As if they took the song stripped it back to the vocals and then pressed a button that says Block Rockin’ Beats.
I don’t listen to a great deal of English bands. The reason being that there’s not many good ones. If you listen to XFM all day and are therefore into landfill indie then you’ll no doubt think otherwise. But I’m not.
There’s plenty of good music coming north of the border but I’ve not heard anything much good of late on the other side.
That is until I heard the debut album from a band on Bella Union called Lanterns on the Lake who hail from England’s most northern county Northumberland. Gracious Tide, Take Me Home is folk music that often soars to an epic landscape.
Certainly the best album from an English band that I’ve heard this year.
In the area where I live there used to be an Elvis Presley themed restaurant. It was like a much more tackier Hard Rock Café where you can eat hamburger’s and fries while a Las Vegas period Elvis impersonator croons away in the corner. The place was thriving in the late 80s and early 90s but has long shut down as that sort of place is as dated as stone washed jeans and white linen suits with the sleeves rolled up.
Almost all Elvis impersonators do the fat jumpsuit period. Its easier than doing the lean sharp suited acoustic guitar swinging 50s Elvis.
In that period he was untouchable as a performer and had the songs to match. Like his first big hit Heartbreak Hotel.
Everything about the song is spot on. Elvis’ vocal range and phrasing, the double bass and brushed drums. Plus coming in at 1:22 is one of the finest guitar breaks in rock n’ roll, and it only last ten seconds. Then there’s the lyrics that are based on the suicide of a man who jumped out of a hotel window, with that and the songs haunting echo it’s kind of a Goth prototype.
Download Elvis Presley - Heartbreak Hotel by clicking on this link.
I’ve mentioned the work of Greg Pappas who goes under the name ZXYZXY before. Everything he puts out is very diverse, whether it be post-rock, ambient or one song that’s a forty five minute drone.
I’ve spent some time with the latest release Subclass of the Dead (available to buy here) and each listen I get more drawn in to its multi-layered world.
And clocking in at ninety minutes it’s a big world to get drawn to and lost in.
The guitars take a back seat on this outing. Instead there’s more electronic, chillwave and some outright weird stuff that phases in and out of tune.
Every listen I find something new and its on the way to being my favourite output from ZXYZXY yet.
I’m keeping on with my blues trip at the moment, so here’s a classic from Howlin’ Wolf, the man with one of the best (if not the best then definitely the grittiest) voices ever put to record. Smokestack Lighting doesn’t follow the usual blues chord structure. What it does instead is locks into a riff and stays put.
It’s a song that’s been interoperated in ways before and after Howlin’ Wolf did it. But surely none better.
A recent purchase from the downstairs section in hmv is a two CD collection of blues man Elmore James. To my recollection I hadn’t heard any of his work before, but its old blues music from Mississippi so of course I had a pretty good idea. Its not going to be happy hardcore is it. And at six quid its worth a go.
Well its been on heavy rotation for the last couple of weeks. It starts off with the overdriven acoustic slide of Dust My Broom (with a riff that makes a regular appearance throughout) but some songs slip into jazz and swing with the piano or saxophone leading the way.
It was six quid more than well spent. And I can’t get that riff out of my head.
For a while now Mark Lanegan has become Mr voice for hire. Queens of the Stone Age, The Twilight Singers, Soulsavers, Unkle, Isobel Campbell and various others have required his services. It seems like the only creative output that he’s done of late is with Greg Dulli under the name The Gutter Twins. Need a rich baritone growl of a voive? Then give Mark a call.
All of this work is fine but he hasn’t released a solo album since Bubblegum in 2004. Which for me is the finest piece of work that Lanegan has ever put his name to. Including The Screaming Trees.
Its so sparse and yet so dirty with deep throbbing bass lines that compliment Lanegan’s voice so well.
So come on, make another solo album will ya.
Download Mark Lanegan Band - Wedding Dress from this link.
The days of multi platinum albums are albums almost gone, but what is extinct and has been for some time is the big selling live album.
I have a few live albums but I seldom give them a listen as the studio versions of the songs are always superior. Songs that took weeks or in the studio to get right are put onto an album that is often badly recorded.
The exception is Mogwai. Who‘s live recordings are on par with the studio versions. Like on Government Commissions: BBC Sessions 1996-2003 which contains a mammoth eighteen minute version of Like Herod and a superior version of New Paths To Helicon Pt I.
And the version of Mogwai Fear Satan on the recent live album Special Moves is just stunning.
As good as the live recordings are, seeing Mogwai play live is something else.
Download Mogwai- Mogwai Fear Satan (live) from this link.
